Dearly beloved synthesia movie#

Vanitas, a remake of Vanitas' theme 'Enter the Darkness'. For the battle against Dark Aqua in the Realm of Darkness, the music, Aqua ~Dark Dive~ is a fittingly haunting remix of Aqua's theme, mixed with 'Fate of the Unknown'.

The theme that plays against Dark Baymax, Davy Jones, and the other half of the battlegates, Eye of the Storm, is a treat to listen to.

The developers are clearly Frozen fans, and didn't resist the urge to include the entirety of 'Let It Go' in the game, unedited, and completely re-animated in their own FMV style.

In addition to numerous remixes for several of the bosses (including the return of ' Unforgettable' for the final boss of Monstropolis in the game), we also get a brand-new piece that is very foreboding and emotional in tone, Anger Unchained, used for fights against a few particularly huge, powerful, and emotionally meaningful climactic foes: Mother Gothel's Heartless 'Grim Guardianess', and Hans Westegaard's Heartless 'SkГ¶ll'.

The first encounter with Marluxia's Nobodies in the Kingdom of Corona, the Reapers, is accompanied by a sinister and haunting arrange of 'Tension Rising' from KH2.Happy Hair Day is pure, distilled joy and wonder in musical form.

Dearly beloved synthesia movie#

It's telling that Kingdom Hearts 3 takes place between one of the lightest Toy Story movies ever made and the absolute darkest Toy Story movie ever made that the music team really needed to keep the scale of the franchise up before the series' next big journey.

The somewhat somber theme that plays against the King of Toys as well as about half of the battlegates, Skyward Striker, highlights, in the context of the Toy Box, how even a world like Toy Story won't prevent a series like Kingdom Hearts from inserting the kind of outside-context epicness associated with the boss fight in question.